Wednesday, November 1, 2006

The culture of scientific beauty and technical elegance

Today's tendency toward specialization makes ever scarcer the person of both science and letters, the person who is initiated into the esoteric world of science, and yet has enough of a background in the humanities to place his pursuit in a wider historical, intellectual and aesthetic context. One of the reasons such persons are needed is to recognize and articulately describe the nobility and beauty of science.

Goethe says, in regard to mathematics, that the mathematician is excellent only insofar as he is sensitive to the beauty of mathematical truths. This applies just as well to any other science. If, in the future, we are to have scientists and engineers who are, by this standard, excellent, we will need at least some to be articulate and aesthetically educated enough to help their peers recognize the nobility and beauty of their pursuits, pursuits that are most often perceived as useful and lucrative, and yet morally and aesthetically indifferent.

In particular, as the governance of science and engineering is usurped more and more by commerce, which finds value, not in their elegance, but only in their tangible results, it becomes ever more important to articulate the non-commercial, non-utilitarian aspects of science and engineering. If we aspire to make the scientists and engineers in our society something more than wage laborers—to restore to these professions at least some of the reverent awe which was formerly their due—or, at least, to allow scientists and engineers some satisfaction from their work aside from wages—we must preserve what is perhaps the most neglected aspect of the heritage of science and technology, the culture of scientific beauty and technical elegance.

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